Grow-up right with Horlicks Growth+!

Hello my avid readers and fans.

Well, it’s been a long time, and rather than apologize, I thought I’d try opening with a joke, lighten the mood, so to speak. But who am I kidding?

To tell you the truth, it’s with a heavy heart that your friend has put the metaphorical pen to paper today. You see, there are times in life, where a man is frustrated about things he has or had no control over – things like the past and, irreversible/unavoidable things. But these things can be hugely frustrating and disheartening none the less. They say you only regret the things you didn’t do, not the ones you did. Ah well.

See, the thing is, your friend hiding behind this virtual facade of pen and paper is actually, well, a shorty.

Go on. You can laugh. I don’t care. Whatever.

It’s something I’ve always lived with, just like the nose on my face. But unlike the shapely facial ornament that is my nose, I haven’t been carrying my stature (or the lack of it) around proudly at all – I’ve been bogged down by it, walking around, sagging the shoulders on an already meager frame.

The insecurity, is well, to coin a phrase, crushing. I was picked on and called names all through my school days. I don’t know how many jocks are reading this and/or follow my blogs regularly – but I think I’m going to have a hard time explaining to the big guys what this feels like!

I mean, how do I put this across to you guys? See the thing is, it may not seem like a big deal to you guys at all. I mean, what’s the big deal? You walk by me, lob a couple of barbs my way, and then get on your way, it’s all fine for you. It’s as ephemeral in your life as your life is ephemeral on the time scale of the universe. Life goes on. For you.

But let’s have a look at what’s happening with the little guy. We all know how advertising works, right? Doesn’t matter what light it’s put across in, put it across someone’s cognition enough times, and you’ll sell it.

Well, that’s pretty much what happens here.

It may seem like I just described an inferiority complex up there, but trust me – there’s a difference between a definition and how IT FEELS!

Having your short stature remarked upon day-in and day-out, it being the first and defining thing about you to a whole bunch of people! It messes with your head. The physical and psychological aren’t totally disconnected! For a child to be healthy, both the mental and physical aspects are not only as important, but interdependent!

To be honest, that’s what first drove me to the gym. And I can tell you – it was AGONY! No matter how hard I tried (and really, I’m not quoting the cliched lie of the majority here), I just would not grow! Well, turns out, I needed something in my diet. A little something extra.

Whey Protein of course. Worked like a charm. And now anyone who’s ever read any of my fitness related posts here knows how good I feel about the whole body image thing!

So when I came across “Horlicks Growth+” (https://growthplus.horlicks.in/) – I thought, I’ve got to spread the word! A specialized powder for children that also contains whey protein (my trusty favorite), reading about it got me thinking “Man! I wish they’d come out with it when I was a kid.”

Don’t go thinking my parent’s starved me or something, but like I said, sometimes, we need a little help, a little something extra.

So go on, make sure your child doesn’t have to find his self-esteem – provide it from the go with Horlicks Growth+!

Impact Music VII – DT: BP, Part V

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can  apply for a test drive of the hatchback Zica today.

Taking the baton on from the previous post as part of this on going saga of mine detailing the exploits of progressive metal outfit Dream Theater and in particular, their search for a replacement drummer after the shocking departure of fan favorite and founding member Mike Portnoy. In the previous installment, we’d learned of Dream Theater’s three part documentary style series as they auditioned six of the best of the best drummers from around the world in their quest. We learned of two great candidates, German Marco Minnemann and Brazilian Aquiles Priester.

In this particular “edition”, if you will, we’re going to look at the other four giants of the metal drumming world who turned up for the audition.

American drummer Derek Roddy, complete with Southern Drawl and snake breeder credentials is a name that strikes fear (of the good kind) in the hearts of anyone and everyone who’s got absolutely anything to do with the metal genre. His barbaric but sublime, brutal but brilliant, beguiling but beautiful drum chops on display with death metal giants Hate Eternal are alone credentials enough for just about any gig in the world, but Mr. Derek Roddy also happens to have worked with such luminaries of the genre as Nile and Malevolent creation. The last word in extreme and death metal blast-beat style double-bass drumming, Derek Roddy brought a lot of attitude and sheer power to the table but eventually, even he didn’t make the cut in the Dream Theater audition.

Founding member of progressive metal outfit stOrk (a big deal in their own right), Austrian drummer Thomas Lang (also a multi-instrumentalist) is next on the list. He is the kind of guy who really lives up to “the greatest drum solo in the world”, title of the first video that comes up when you google the guy. Yeah, he is really really good. As an international session drummer of frankly staggering repute and a swashbuckling repertoire of both chops and records to his name, Thomas Lang has recorded in a variety of genres from rock to jazz and pop to metal. Though he too missed out and wasn’t what Dream Theater was looking for, he went on to tour with guitar God Paul Gilbert (of Racer X and Mr. Big fame). Thomas Lang has also worked with such progressive rock luminaries as Robert Fripp and Peter Gabriel.

Because I know I’ve got you hooked now with this series, I’m going to pull a bit of a fast one on you’ll at this point and make you wait, with just a sneak peek at the next two guys.

Another guy who didn’t make the cut, but did something so amazing, even Dream Theater had to go back and listen to how cool it was to fully understand it.

And of course, the guy who did make it.

Impact Music VI – DT: BP, Part IV

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can apply for a test drive of the hatchback Zica today.

Finally, here we are, here we go. To the much anticipated 3 part documentary series about Dream Theater and how they picked one from an already cherry picked selection of 6 of the best of the best, the elite of the elite drummers on the planet!

If you aren’t up to speed, this is my sixth post about the amazing progressive metal giants Dream Theater and my fourth post about how they’re coping with the departure of founding member and drummer extraordinaire Mike Portnoy. Hence all those acronyms on the title. If you are up to speed, I think you’ll agree that these titles were getting kind of messy, weren’t they? It always seems to go that way with me somehow – I just don’t understand. You start of with one thing or one little post really, and things start getting out of hand and suddenly you’re bogged down with a series. Heck, let alone series, before you know it, nay, in the blink of an eye even, you’ve got series within series on your, or rather, out of your hands. So, I think this new acronym style format is helping clear and smooth and even things out, wouldn’t you agree? Adds a bit of a hint of a system to it, don’t you think?

But getting right back to where we started. Dream Theater and their drummer auditions. As I had occasion to mention before, Dream Theater, with the place that they do hold in the progressive metal world, pretty much have their pick of who they’d want. So naturally, let alone their being no dearth from downright greats to choose from, there’s a very real burden of choice. But who cares, as long you’ve got greats queuing up eagerly at your doorstep, right?

And just who were these greats? Well, read on!

Marco Minnemann, a German drummer so prolific, even reading through his output would leave you with very little time to actually be able to listen to it. A multi-instrumentalist with a sparkling sense of humor, Marco would go on to wow Dream Theater in the audition and be one of the three out of six drummers who didn’t make a mistake. Incredibly close to making the cut, Marco missed out eventually and went on to join The Aristocrats later. He has worked with Necrophagist, Joe Satriani and Steven Wilson also.

Progressive metal luminary, Aquiles Priester, the Brazilian drummer of South-African descent from Hangar and Midas Fate as missed out in spite of his impressively powerful black metal chops. In addition to being a master progressive metal and power metal drummer, Aquiles Priester is also known for his thrash metal, symphonic metal, speed metal and melodic death metal chops and walked away from the audition having proven himself a strong contender for the job.

Impact Music V – Dream Theater: Beyond Portnoy, Part III

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can  apply for a test drive of the hatchback Zica today.

Yo guys! Time for unraveling that great mystery from the previous part, yeah? Ooh! Get ready, this is gonna be a good one.

So yeah, thing is. The previous title was a bit of a misnomer. Or rather, to be precise, that previous post didn’t really fit, warrant or live up to that title, you know? You see, that particular article, if you, dearest, avid-est of readers will recall, about why Portnoy left. So obviously, is a bit of a misnomer after all. So, my apologies for that. Or not. Whatever.

But you do see how that works out, don’t you? How it fits in the grand scheme of things, how it just nestles in perfectly like a piece of the majestic puzzle of Dream Theater’s history, of this travesty of a tapestry (see what I did there? Smirk.) that I’m painting just for you, my dear reader, don’t you?

No? Well, not to worry. I hope with this and the many more to come in my series of posts, which are spawned by this seminal #TataZica marathon for bloggers, I’ll make things clear to one and all. Just you stay with me – you and your infinite patience faithful reader!

So yeah, to come back to it. To first really justify this particular title so as not to leave any further room for disillusionment (that’s a sure way to kill an already only fledgling readership right). This particular title is indeed bang on because well, it’s about the first step the remaining (and very shocked and presumably saddened) band members of Dream Theater took in order to move on and keep going (and, as we’ll find out very very very, soon, stronger than ever before). Which is, obviously (as I’m sure you, astute reader, will have guessed), to find a new drummer.

But of course. This is Dream Theater we’re talking about, after all. So they didn’t audition new drummers. They didn’t just “jam”. Like always, they did it in their signature, thorough style and like every good progressive band since the inception of the genre, made a big deal out of it. In this case, a three-part documentary style series entitled “The Spirit Carries On”. Fitting and classy, isn’t it?

And of course, this series was not merely fitting, but also a downright musical gem! 6 of the best drummers going at it with Dream Theater? Come on! That’s just the most scintillating thing one could think of – it’s like getting to see a taste of what’s possible – looking back in time at a celestial event that happened millenia ago and light years away!

And the juiciest details of that are up next – not just who got in, but who really rocked and who didn’t! Man, this is going to be something!

Impact Music IV – Dream Theater: Beyond Portnoy, Part II

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can  apply for a test drive of the hatchback Zica today.

Yo! So guys, continuing on with my stuff for the #TataZica marathon for bloggers, I’ve got another one in my Dream Theater educational brochure for you.

So, if you haven’t been living under a couple of thousand rocks under the sea (or something else vaguely literary like that) and (crucially) been reading this here blog by yours truly, you’d know that I’ve been going on about this band called Dream Theater, who just happen to be the progressive metal band.

So, from where we left them last, I’d noted that there will two pretty big issues that I’d skated over in the interests of depth. But I think there’s a great deal of merit in living for depth, rather than distance. And also of course, as I keep harping on about it, this is a wondrous, magical and amazing time where we can do so many wonderful things with the help of all the varied, multitude of conveniences that technology has to offer us, but unfortunately most of spend time complaining about the minor gripes that these wonders entail, rather than love them for the veritable miracles that they truly are. And some of us go on and on and on and complain about complainers. Well, human nature. Meh.

“Anyhoo”, what I’m getting at is, we can get both distance and depth now, without much effort. So well, that’s what I try to do, am trying to do and will continue to do so. And immediately it’s going to be with this continuing saga, if you will, about Dream Theater, the progressive rock band which, by now, I am sure we all here know and love well.

So yeah, I’d left out two things back there, as I mentioned earlier. One, or rather the first of them was the sensational, controversial and almost completely unexpected departure of founding member and creative force Mike Portnoy. As to the second, well, in the interests of maintaining what little readership I do have, I’ll keep that under wraps for now. If you want to know about that, stay tuned for the next article. Or keep better track of all the stuff I spout. You know, tryin’ to the mystery alive and stuff. Yeah! Mystery! Woo-hoo!

So yeah, about Mr. Mike Portnoy. Just what was the deal? Just why, why why why, did he leave what was essentially his (brain)child? Well, it was a bit of both leave and got thrown out, to be completely honest. You see, the thing was, he wanted a break to go out and metaphorically jump into bed with a younger crowd for a bit. That younger crowd being A7X and “for a bit being” 5 years.

So of course Petrucci and the bros were like, “For real, dude?” and “No way!”.

And the rest as they say, is history.

Stay tuned.

Impact Music III – Dream Theater: Beyond Portnoy

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can  apply for a test drive of the hatchback Zica today.

And it is a fresh hello to my *cough* avid *cough* readers as I get back to my marathon blogging spree after this here little pit stop I just had. Yes sir. I’m back with renewed zeal to carry the proverbial torch and move up through the ranks, up along the slippery slopes (with all my tropes) of the one of its kind #TataZica marathon for bloggers, set up so very nicely, tantalizingly and invitingly for avid bloggers all over by the good people at that haven, that true home, for bloggers everywhere, IndiBlogger.

So, as the title suggests, I’m going to move ahead with my (read super, ultra, duper cool) version of my favorite (read best band) prog metal (read best genre) band, Dream Theater – the pioneers, founding fathers and now undisputed aristocrats of the prog metal genre.

So, when we last left the tale of our favorite prog metal Gods, we were looking at what the future held circa 2011.

In fact, other than a few closing words, I left it at “Following ‘Black Clouds and Silver Linings’, Mike Portnoy, drummer and founding member left the band amid controversy. After a marathon audition of some of the best in the business, Mike Mangini was named as his replacement.” I also pointed out how they had won a Grammy after Portnoy’s replacement – an achievement symbolic of mainstream acceptance that Portnoy had always sought to achieve for the band, despite all their proud maverick rejection of more overt popularity and their unflagging devotion to artistic integrity that make them such firm favorites among their following.

While their following is far to large for someone like me to have the nerve to describe them as being a “cult” band, but their fans do have an occult like bent, you know what I mean? And, if you ask me (which you’re kinda implicitly doing by reading this blog, if you get my drift), I think that has a lot to do with their artistic integrity – their sheer steadfastness in the face of a degrading and demeaning corporate culture fueled by short-sighted rewards spawned by blind greed.

But I digress.

What I was getting at (up back there, you know, about two paragraphs ago) is that I left a pretty big gaping hole. Or rather, I made slight out of a huge matter back there – bestowing only one sentence to the tragic, controversial (and subsequently) epic departure of founding member and prime creative force Mr. Mike Portnoy.

Not cool bruh.

And then there’s the not at all small matter of Mr. Mike Mangini’s “selection” (if you will). Considering DT made a “rocumentary” out of it, I think just one sentence to that is also a bit cheap.

So, stay tuned. There’s more to come!

Impact Music II – Dream Theater: (A)Live & Kicking!

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can apply for a test drive of the hatchback Zica today.

Alright folks! I’m sure you were glued to number 9, so here’s number 10!

Continuing where the previous post left off with their history, this is about Dream Theater’s, my favorite progressive metal band’s that is, live performance style and what the future holds!

As usual. Enjoy.

Dream Theater’s live performances are usually over three hours long, with entire albums, suites and concepts being played in succession. Improvisations are fervent, with everyone’s virtuosity coming to the fore. This is in  keeping with their lengthy composition structures, some of which are up to 30 minutes long.

As can be expected, Dream Theater are not as wildly popular as other rock acts of their time. In fact, they are more popular today (an age where rock is somewhat far from pop) than in the 1990’s, when certain sub-genres of rock were among the most popular genres around.

Dream Theater have the highest musician to non-musician ratio in their concerts. They are very well respected both as a band and as individual artists and have garnered much critical acclaim. They have also been part of numerous collaborations across genres.

With their second album, ‘Images and Words’ (with James LaBrie replacing Charles Dominici as vocalist), Dream Theater had their only ‘hit’, ‘Pull Me Under’. This album is an early  progressive metal masterpiece , encompassing several styles and genres. Their next two albums – ‘Awake’ and ‘Falling into Infinity’ – though rather forced (with their record label pressurising them to be more mainstream) still managed to preserve their style and capture some of the essence of Dream Theater.

Kevin Moore departed after ‘Awake’ citing creative differences and was replaced by Berklee-grad Derek Sherinan. In this time the band managed to release an E.P. of the style they wanted. By branding ‘A Change of Seasons’ as an E.P., they were allowed to publish it, even though it was actually longer than their first album.

After this, the band gave their record label an ultimatum demanding complete creative control – which they got – releasing the critically acclaimed concept album ‘Metropolis Part II – Scenes from a Memory’. This follows on from the song ‘Metropolis’ from ‘Images and Words’.

Releases of ‘Six Degrees of inner Turbulence’, ‘Train of Thought’, ‘Octavarium’, ‘Systematic Chaos’ and ‘Black Clouds and Silver Linings’ followed. By this Dream Theatre were producing their own music. ‘Black Clouds and Silver Linings’, arguably their best album [2009], debuted at number 6 on the U.S. album charts. This dark slightly gothic-themed album’s is the best ever chart performance by a Dream Theatre album till date.

Following ‘Black Clouds and Silver Linings’, Mike Portnoy, drummer and founding member left the band amid controversy. After a marathon audition of some of the best in the business, Mike Mangini was named as his replacement. With him Dream Theatre have so far released ‘A Dramatic Turn of Events’ and won a Grammy. Their new album is faithful to their sound, style and legacy, yet pushes the boundaries of progressive metal still further. Their place at the top of the ‘prog tree’ looks undisputable and the new line-up and album show much exciting promise for fans like me.

Impact Music I – The Majesty of Dream Theater

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can apply for a test drive of the hatchback Zica today.

Without much digression, here’s moving on to number nine in the marathon for me and given the whole musical theme I’ve had, I’ve naturally jumped to one of the richest sources of inspiration and impact in my life off late, Progressive Metal aristocrats Dream Theater.

Enjoy. Taste the Majesty. Feel the Royalty.

A band formerly known as ‘Majesty’, formed by three Berklee College of Music (Boston, Massachusetts) drop-outs, ‘Dream Theater’ is a Progressive Metal band that has been around since 1986.

In keeping with the trend of musicians to have dropped-out from the aforementioned (from Al di Meola to Steve Vai to John Mayer), the band John Petrucci (guitars), John Myung (bass) and Mike Portnoy (drums & percussions) formed was (and is) path-breaking.

After the inclusion of Petrucci’s childhood friend, keyboardist Kevin Moore and the experienced (and much older) Charles Dominici, Dream Theatre released their first album ‘When Dream and Day Unite’.

This was  the first effort by this ‘Rush’ and ‘Yes’ influenced outfit to fuse Progressive Rock, a la Pink Floyd, with Heavy Metal. In time, they did not just created the genre of progressive metal, but continue to push its boundaries and be the premiers of Progressive Metal. They have influenced many and set standards for everyone in the genre with their increasingly technical, complex and often lengthy compositions characterised by changing time signatures, keys and sheer, blistering instrumental virtuosity.

Their music, largely unappreciated by the untrained listener, is richly textured and varied. Categorizing  them as merely a metal band is intensely misleading – they have an abundance of lyrical ballads (such as ‘Another Day’) and passages (in epics such as ‘Octavarium’ and ‘The Count of Tuscany’). In keeping with Progressive genres’ eclectic tendencies, not only is their music heavily jazz influenced, but also incorporates ‘Cartoon-ish’ feels and also blues and country music.

It is increasingly hard to portray the true nature of Dream Theater’s sound via mere words, which is natural enough considering their deep, layered tapestry of music is hard enough to truly comprehend even when actually listening to it.

They have concept albums (with a central theme and story) and circular albums (starting and ending on the same note), all influences from Progressive Rock giants, which add to their overall technicality and generally meticulous, obsessive and rather unique approach to music. They often draw musical passages directly from influences and incorporate them into their lengthy live performances – everything from entire albums (from the likes of Pink Floyd, Deep Purple and Led Zeppelin) to small pieces in lengthy improvisations (such as the theme from ‘The Simpsons’).

They also have long-standing, intricate links across albums, resulting in spectacular suites. Some of their albums are written to be heard in succession as a single song and are often performed that  way. Their lyrical themes vary from fantasy and fiction to soulful introspection, tributes and poetic worldliness. They have many dark elements in their music, not only in keeping with them being a metal band, but also as a result of extensive use of exotic scales, jazzy modulations and syncopation.

Pep and Zing

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can apply for a test drive of the hatchback Zica today.

And folks, it’s time for number eight!

To refresh your memory, this is Mohan Bhaskar, your friendly neighborhood night owl,  blogging for all he is worth, inspired by the #TataZica Marathon for bloggers, in conjunction with Tata Motors’ greatly anticipated and peppy Tata Zica. A trend setting, one of a kind, first of its kind marathon for bloggers, this presents a new challenge for a budding blogger like me and I’m happy to say I’ve scaled the summit of seven articles undaunted and I’m charging up the eighth with great vigor.

With the mantle of peppiness, inspired by the Peppy Tata Zica, here we go.

And what better way to get some pep in your life than, well, being love sick? *imagine the lithe frame of a scrawny college dude in an embarrassed coughing fit here*

And really, especially at this time in my life, I think of little else – especially when it is a question of some pep being added to one’s life. Think about it. Those butterflies in the general area of the duodenum. Those pleasing heart palpitations. The sheer mental nervousness to round off the physical symptoms. The pleasing anxiety. The anticipation.

What else is there? What force of nature, what event – cosmic or cataclysmic, common or rare – has that sort of power over us and the capacity to bring that level of sheer pep into our lives.

The strut of a human being with even a crush is the most peppy thing to behold, in the world, and dare I say, in the universe.

Ah. That feeling. In your heart. In your mind. In your stomach. In your bones. Makes you go warm and fuzzy. Strutting about as if you’ve got winged feet. True pep. It’s amazing what a little feeling like that can do to us. Make your blood rush, your brain shut down. There really is nothing that can replace that feeling.

Forget all them fancy-schmancy chemicals and the scientist speak of endorphins, dopamine, serotonin – this is a feeling that’s not to be analysed. It’s about the heart not the head. It’s about being flown to the moon, candles in the wind – because that’s just the way it goes! You cannot analyse this, break it down into logic or make sense of it.

You need to just feel the zing and ride it out with all the pep and enjoy that aforementioned warm and fuzzy feeling!

After all, people so much more experienced, intelligent and thoughtful than us have called it everything from “a crazy little thing” to being something “God only knows”, so where do we get off trying to understand it?

Whether the “thrill is gone” or you’ve “still got the blues” or you’ve “got that lovin’ feelin'”, embrace it!

Music – Departed Greats

This blog post is inspired by the blogging marathon hosted on IndiBlogger for the launch of the #Fantastico Zica from Tata Motors. You can apply for a test drive of the hatchback Zica today.

Yo! I’m still going strong. Brace yourselves, seven’s the most powerful number in magic after all!

Given my sixth post, that double header of peppy music that it was, with Glenn Frey’s demise, it got me thinking about the musical greats we’ve lost off late and consequently, to the musical greats we’ve lost over time.

So, this seventh post is of course, about those musical greats.

This is in no way intended to be the be all, end all list of great musicians that have departed us, rather, it’s just those of whom I really really like and remember. These are people I grew up listening to, I was inspired by them, lived, loved and lost to their music and set much to store by their work really. It’s the greatest thing when a song and its music set in the stone of your memories and deep associations form that become a source of exceedingly pleasing nostalgia for years to come.

I won’t even attempt to do justice to these greats – I won’t even say I’m trying to profile them. All I’m going to try to do is something akin to missionary work. In the unlikely event you haven’t already heard if these sonic treasures, I’m going to give you a hint, a taste as to what lies in store for your aural pleasure if you choose to delve further.

The first thing that always comes to mind when we talk of departed greats – music, films or anything else for that matter – is of course, the twenty seven club. And it is a really tough choice for me right now – what category of people to go with first. All our recent losses to benefit of the abode of the gods or those dearly departed who left us much before.

After much deliberation, I feel it’s best to get the more recent departures out of the way – though, to be very clear, I do not intend to indicate preference or convey disrespect to any faction. Please bear with me, in case it wasn’t clear with my emotions back up there, this is a deeply emotional subject for me.

Without further ado:

  1. Glenn Frey – Songwriter, lyricist, guitarist, piano player and singer for the immortal Eagles.
  2. David Bowie – Genius. Maverick. Pioneer.
  3. Lemmy Kilmister – Motorhead. ’nuff said.
  4. Mike Porcaro – Toto.(“Rosanna… Rosanna”, remember?)
  5. B.B. King – The Beale Street Blues Boy needs no introduction.

On to the (in)famous twenty seven club:

  1. Jimi Hendrix – The guitar player of not only the masses but also guitar players.
  2. Jim Morrison – Lead singer of The Doors.
  3. Amy Winehouse – One of the most talented pop artists of our time.
  4. Kurt Cobain – The spokesman for Generation X.

Notable Others:

  1. Dimebag Darrel – Pantera
  2. Randy Rhoads – From Ozzy Ozbourne Fame

It truly must sound like heaven in heaven.